Inanna's minister, Ninshubur, however, pleads with various gods and finally Enki agrees to rescue Inanna from the underworld. Inanna is struck dead and her corpse is hung on a hook in the underworld for everyone to see. The seven judges of the underworld judge Inanna and declare her to be guilty. Finally, once she has gone through all seven gates, she finds herself naked and powerless, standing before the throne of Ereshkigal. Inanna proceeds through each gate, removing one article of clothing at each gate, and also loses her magic items to a nymph over the course of the journey. When Neti, the gatekeeper of the underworld, informs Ereshkigal that Inanna is at the gates and demanding to be let in, Ereshkigal responds by ordering Neti to bolt the seven gates of the underworld and to open each separately, but only after Inanna has removed one article of clothing. Ereshkigal is described as being Inanna's older sister. In this poem, the goddess Inanna descends into the underworld, apparently seeking to extend her powers there. Examples of myths where she plays an important role include: While obscure in cultic texts, Ereshkigal was prominent in mythical literature. Д®reshkigal's sukkal (vizier or messenger) was Namtar. The idea of Nergal and Ereshkigal as a couple likely developed out of a need to reconcile the two traditions. In later Babylonian god lists Ereshkigal held a senior status among the underworld deities, ruling over the category of so-called 'transtigridian snake gods'(such as Ninazu, Tishpak, Ishtaran and the Elamite god Inshushinak, in Mesopotamia known almost exclusively in the afterlife context), while Nergal who fulfilled analogous functions in the north in Sumerian times had an entourage of minor war gods and disease demons instead. However, beliefs related to this sphere were somewhat amorphous, and it's possible there was initially no single universally-agreed-upon version of relevant mythical and cultic concepts, with various deities, both male and female, ruling over the underworld in the belief systems of various areas and time periods. Some researchers believe that Ninazu originally fulfilled this function, with Ereshkigal only becoming a significant ruler of the land of the dead in Sumerian imagination at a later point in time. In Sumerian mythology, Ereshkigal was the queen of the underworld. 3.1 Ereshkigal's name in Greek magical texts.1.4 The underworld vision of an Assyrian prince.1.3 Ningishzida's journey to the nether world.1.1 Inanna's Descent into the underworld.Other myths also associate her with gods such as Ninazu, originally regarded as her husband but later as a son, and Ningishzida. The two main myths involving Ereshkigal are the story of Inanna's descent into the Underworld and the story of Ereshkigal's marriage to the god Nergal. However, they weren't commonly associated with each other.

In the ancient Sumerian poem Inanna's Descent to the Underworld, Ereshkigal is described as Inanna's older sister. No personal names with 'Ereshkigal' as a theophoric element are known. The main temple dedicated to her was located in Kutha, a city originally associated with Nergal, and her cult had a very limited scope. 'Lady of the Great Earth'.Д®reshkigal was only one of multiple deities regarded as rulers of the underworld in Mesopotamia. Sometimes her name is given as Irkalla, similar to the way the name Hades was used in Greek mythology for both the underworld and its ruler, and sometimes it is given as Ninkigal, lit. In later myths, she was said to rule Irkalla alongside her husband Nergal. 'Queen of the Great Earth') was the goddess of Kur, the land of the dead or underworld in Sumerian mythology.

In Mesopotamian mythology, Ereshkigal ( Sumerian: р’Ђр’Љ©р’Њ†р’† р’ѓІ D EREЕ . Nungal, Ninazu, Namtar (in only one text) Utu and Inanna (younger siblings according to Inanna's Descent) Nanna and Ningal (implicitly, following the most common genealogy of Inanna) The 'Queen of Night Relief', which dates to the Old Babylonian Period and might represent either Ereshkigal or Lilith

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